The longer she lives in上海楼凤more eager Wu is to pro

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The longer she lives in上海楼凤more eager Wu is to pro

omote traditional Chinese music worldwide. She never for

gets her roots — the treasures that define who she is, and from where she comes.

上海楼凤Early in 2006, Wu was overjoyed when officials of Carnegie Hall (one

of the world’s most prestigious music venues, in Midtown Manhattan, in New York City) as

ked her to help them produce two traditional-Chinese- music -themed concerts within two years. Within a short time, s上海楼凤女神会所

he began laying the groundwork for the concerts. She made special trips to remote rural areas in Shanxi (in North China) and

上海楼凤Shaanxi (in Northwest China) provinces, to watch folk musicians’ performances and to explore the origin of the tradi

tional Chinese folk music, so she could display the music’s unique charm to audiences outside of China.

“It was quite an interesting experience when I played, with my pipa at Carnegie Hall, the tunes of Shaanxi opera (Qinqiang) and of上海楼凤女神会所

shadow play in 2009. I invited the Huayin Shadow Puppet Band, from Shaanxi, to perform a shadow play in the hall.

上海楼凤Many of the spectators were fascinated by the unique charm of the traditional Chinese culture,” recalls Wu.

n recognition of her virtuosity and collaborations across di

sciplines, Musical America in 2013 named Wu “Instrumentalist of the Year,” marking t上海楼凤女神会所

he first time the prestigious award was bestowed on a player of a non-Western instrument.

In 2017, Sing Me Home, produced by Wu and other members of Silk Road Ensemble, earned them the上海楼凤

Best World Music Album during the presentation of the 59th Grammy Awards, Wu composed.

上海楼凤女神会所Green (Vincent’s Tune), the album’s first melody, based on a tune created by her son. By drawing inspiration from the tun

e, which her then-four-year-old boy often hummed, Wu created the melody. She named the tune “Green”, to praise the b

eauty and exuberant vitality of spring, a season as vigorous and enthusiastic as a four-year-old.

In February 2015, Our World in Song, which featured 12 folk songs (of different countries), was n上海楼凤女神会所

ominated for the 57th Grammy Award for the Best World Music Album. Wu, along with Hawaiian instr

umentalist Daniel Ho and Cuban percussionist Luis Conte, played more than 50 musical instruments for the so

ngs’ accompaniments, creating an attractive, inspiring and exciting global music tour.

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